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The translation of an A7 concertina-folded paper Charbonnel et Walker ‘The Truffle Collection’ menu. See scans below: I investigated the target audience for these truffles: the flagship store is in The Royal Arcade, Bond Street, and a single truffle from the counter in a box is £3.50. They hold a Royal Warrant and the store…

Working collaboratively in an octet of MAGCD students to create a publication exploring the eight principles of Gestaltism in a day. I focused on “Proximity” and took photographs on my phone in and around the CSM campus. Each person was also assigned to a colour for printing – mine was light blue.

DRAFT 1 The enquiry I set out to explore was that of the extent to which p5.js can be used to visually model plant growth (which is at least triply iterative: each step of growth is an iteration, each system used to model a structure is an iteration, and each unique piece of code is…

‘One Publishes to Find Comrades’ by Eva Weinmayr in the style of ‘Exercises in Style’ by Raymond Queneau EXCESSIVE Thrice daily was the paper printed in the past, prior to its change of hands into the hands of a rich Russian man. That was in the year of our Lord XLIII and the paper to…

https://www.istockphoto.com/collaboration/boards/F4IltK7WbEKPoDp0SOaK9g Cataloguing an istockphoto collection. Extracting and re-presenting the image captions, taking inspiration from Martine Workman’s fanzine, ‘Prince Food’, as well as the XY workshop, Single-Image Narratives, in considering the visual associations around some words, or experimenting by deliberately creating a visual hierarchy, where some words ‘stand out’ more: Classifying the shapes of the characters;…

Number of columns: 2; Number of pages: 10; Number of images: 13; Number of Captions: 13; Number of references: 16; Number of footnotes: 1; Publication names: Evening Standard, Control Magazine, Instant Publication; Publishing houses: Book Works, AND Publishing; Years referred to: 2009, 2005, 1960s, 1985, 1965, 1974, 2011, 2014, 2012, 1997, 2014, 2013, 2008; Quotations:…

My initial method of investigating the bouldering gym, EustonWall, took the form of observational poetic prose: trying to approach the space with as much of a clean-slate state of mind as I could muster (despite a priori familiarity with it). I have, in verse form, emulated Perec’s process of ‘Practical exercises’ in ‘Observ[ing] the [bouldering…

INITIAL INVESTIGATIONS Poetic impression of the scene I behold ‘bouldering’: Sprawls of block colours bolted to solid white; They are like thrown confetti, yet too ordered to be an accident. The walls are punctured by holes, and the holds punctuate the holes. The routes are constellations of some sort of polymer solid, Some formed like…